M.A. (Eng.) Syllabus (With Synopsis)


UNIVERSITY OF CHITTAGONG
DEPARTMENT OF ENGLISH
Syllabus for M.A. Final Course in English
Session: 2009-2010

DISTRIBUTION OF MARKS
Total Marks              : 600 marks
Written            : 500 “
Tutorial            : 50 “
Terminal          : 25 “
Viva-Voce       : 25 “

Course-Eng 501:
Shakespeare
Marks: 100

GROUP-A:
1. Hamlet:MNQI
2. Othello:AA
3. King Lear:MNQI
GROUP-B:
4. A Midsummer Night’s Dream:QBM
5. The Tempest:SB
6. Measure for Measure:QMB
GROUP-C:
7. King Henry IV, parts I&II.:MHC
8. Sonnets:TSS


Course-Eng 502
Modern Continental Literature in Translation
Marks: 100
GROUP –A:
1. Baudelaire:MM Selected Poems (Tr. by Joanna Richardson) penguin Books.
Spleen (I have more memories than a thousand years),
Spleen (When, like a lid, the low and heavy sky),
Correspondences,
The Albatross,
You would be all creation’s concubine,
The Cat (Come, lovely eat),
The Living Flame,
To a Crcole Woman,
The ghost,
Joyful Death.

2. Rilke:MM Selected Poems The Duino Elegies: The First Elegy and the Ninth Elegy

GROUP-B
3. Dostoevsky, Crime and Punishment:DM
4. Kalfa, A Hunger Artist (Tr. by Willa and Edwin Muir):MHC

GROUP-C
5. Ibsen, A Doll’s House (Tr. Rolf Fjelde): CMA
6. Pirandello. Six Characters in search of an Author (Tr. By Edward Storer):QMB


Course – Eng 503
English Language Teaching
Marks 100

A. Theories in Second Language Acquisition
1. Nativist theories of SLA:SM
            (i) General Characteristics
            (ii) Chomsky’s Universal Grammar and SLA
            (iii) A critique of language-specific nativist theories
2. Environmentalist Theories of SLA:SM
            (i)General characteristics
            (ii) Schumann’s Pidginization Hypothesis and Acculturation Model
            (iii)A critique of the Pidginization Hypothesis and Acculturation Model
B. Research & Teaching Methodology:CMA

1. Interlanguage studies
(i) introduction
(ii) Contrastive analysis
(iii) Error analysis
(iv) Performance analysis
2.Explanation for differential success among second language leaners:
(i) Age
(ii)Aptitude
(iii) Social- psychological factors: Motivation and Attitude
(iv) Personality
(v) Cognitive
(vi) Hemisphere specialization
(vii) Learning Strategies
(viii) Other Factors

3.Approach and Methods in Language Teaching
(i)Grammar-translation Method
(ii) Communicative Language Teaching
(iii) The Audiolingual Method
(iv)The Oral Approach and Situational Language Teaching
(v) Others.
4. Testing and Evaluation

C. Course and Material design:TSS
D. Syntax and morphology
(i) Articles
(ii) Tense and aspects
(iii) Prepositions
(iv) Modals and Conditionals
(v)Affixation –Derivation and inflections.
E. Discourse Analysis. Pragmatics and practical Stylistics: MRU
(i) Speech Acts and Conversational Maxims
(ii) The analysis of literary discourse
(iii) Teaching language through literature

Course –Eng 504(A):
Modern American Literature
GROUP-A
1. Whitman: Songs of Myself:TJB
2.Emily Dickinson: Selections:MM (as in The Norton Anthology of American Literature, 2 Edition)
3.Robert Frost: Selections: (as in The Norton Anthology of modern poetry (ed.) Ellman, et. al)
4.William Carlos Williams: Selections (as in The Norton Anthology of Modern poetry I (ed.) Ellman, et. Al)

GROUP-B:
5.Melville: Moby Dick.:
6.Twain: The adventures of Hucklebury Finn:ZC
7. F. Scott Fitzerald: The Great Gatsby
8. Hemingway: A Farewell to Arms
9. Toni Morrison: Beloved

GROUP-C:
10.  O’Neill: The Long Day’s Journey into Night
11. Edward Albee: The Zoo Story:JBS
12. A Miller: Death of a Salesman:RJ
Recommended Reading:

Or
Course- Eng 504(B)
Middle English Literature
Marks 100

Course-Eng 505(A)
Post Colonial and Post Modern Literature
I.   Post Colonial Literature

1. Kipling                    - Kim:
2. Coetzee.J.M.           - Life and Times of Michael K:ZC
3. Chosh. Amitav        - Shadow Lines:ZC

II. Post Modern Literature
4. Vonnegut, Kurt:      -Breakfast of Champions:
5. Kundera, Milan       -The unbearable Lightness of Being:
6. Marquez,                 - Strange Pilgrims:MRU

************************************************
A Synopsis of Whole Syllabus
UNIVERSITY OF CHITTAGONG
DEPARTMENT OF ENGLISH
Syllabus for M.A. Final Course in English
Session: 2009-2010

DISTRIBUTION OF MARKS
Total Marks              : 600 marks
Written            : 500 “
Tutorial            : 50 “
Terminal          : 25 “
Viva-Voce       : 25 “

Course-Eng 501:
Shakespeare
Marks: 100

GROUP-A:
1.      Hamlet:MNQ
The Tragedy of Hamlet, Prince of Denmark is a tragedy by William Shakespeare. Set in the Kingdom of Denmark, the play dramatizes the revenge Prince Hamlet exacts on his uncle Claudius for murdering King Hamlet, Claudius's brother and Prince Hamlet's father, and then succeeding to the throne and taking as his wife Gertrude, the old king's widow and Prince Hamlet's mother. The play vividly portrays both true and feigned madness – from overwhelming sorrow to seething rage – and explores themes of treachery, revenge, incest, and moral corruption and family.
Characters

1. Hamlet
2. Claudius
3. Gertrude
4. Polonius-Lord Chamberlain
5. Ophelia-Dauther to Polonius
6. Horation- Friend to Hamlet
7. Laertes-Son to Polonius
8. Voltimand and Cornelius-Courtiers
9. Rosencrantz and Guildenstern-Courtiers, school friend to Hamlet.
10. Osric-a Courtier
11. Marcellus-an officer
12. Bernardo-an officer
13. Francisco-a soldier
14. Reynaldo-servant to Polonius
15. Ghost of Hamlet’s father
16. Fortinbras-Prince of Norway
17. Gravediggers-a A sexton, and a clown

2.      Othello:AA
The Tragedy of Othello, the Moor of Venice is a tragedy by William Shakespeare, believed to have been written in approximately 1603, and based on the Italian short story Un Capitano Moro ("A Moorish Captain") by Cinthio, a disciple of Boccaccio, first published in 1565. The work revolves around four central characters: Othello, a Moorish general in the Venetian army; his wife, Desdemona; his lieutenant, Cassio; and his trusted ensign, Iago. Because of its varied and current themes of racism, love, jealousy, and betrayal, Othello is still often performed in professional and community theatres alike and has been the basis for numerous operatic, film, and literary adaptations.

Characters
Othello, the Moor: A general in the Venetian military.
Desdemona, Othello's wife and daughter of Brabantio
Iago, Othello's ensign and Emilia's husband. Antagonist.
Cassio, Othello's lieutenant.
Emilia, Iago's wife and Desdemona's maidservant
Bianca, Cassio's lover
Brabantio, a Venetian senator, Gratiano's brother, and Desdemona's father
Roderigo, a dissolute Venetian, in love with Desdemona
Duke of Venice, or the "Doge"
Gratiano, Brabantio's brother
Lodovico, Brabantio's kinsman and Desdemona's cousin
Montano, Othello's Venetian predecessor in the government of Cyprus
Clown, a servant
Officers, Gentlemen, Messenger, Herald, Sailor, Attendants, Musicians, etc.

3.      King Lear:MNQI
King Lear is a tragedy by William Shakespeare. The title character descends into madness after foolishly disposing of his estate between two of his three daughters based on their flattery, bringing tragic consequences for all. The play is based on the legend of Leir of Britain, a mythological pre-Roman Celtic king. It has been widely adapted for the stage and motion pictures, and the role of Lear has been coveted and played by many of the world's most accomplished actors.

Characters:
Lear, King of Britain
Goneril (sometimes written Gonerill orGonoril), eldest daughter of Lear
Regan, second daughter of Lear
Cordelia, youngest daughter of Lear
Duke of Albany, husband to Goneril
Duke of Cornwall, husband to Regan
Earl of Gloucester (sometimes written asGloster)
Earl of Kent, often appearing under the guise of Caius
Edgar, son of Gloucester
Edmund (sometimes written Edmond), illegitimate son of Gloucester
Oswald, steward to Goneril
Fool, Lear's fool or court jester (not his nephew, he calls Lear nuncle in jest)
King of France, suitor and later husband to Cordelia
Duke of Burgundy, suitor to Cordelia
Curan, a courtier
Old man, tenant of Gloucester
A Doctor, an Officer employed by Edmund, a Gentleman attending on Cordelia, a Herald, Servants to Cornwall, Knights of Lear's Train, Officers, Messengers, Soldiers, and Attendants


GROUP-B:
4.      A Midsummer Night’s Dream:QBM
A Midsummer Night's Dream is a play by William Shakespeare. Believed to have been written between 1590 and 1596, it portrays the events surrounding the marriage of the Duke of Athens, Theseus, and the Queen of the Amazons, Hippolyta. These include the adventures of four young Athenian lovers and a group of six amateur actors, who are controlled and manipulated by the fairies who inhabit the forest in which most of the play is set. The play, categorized as a Comedy, is one of Shakespeare's most popular works for the stage and is widely performed across the world.

Characters
Theseus – Duke of Athens
Hippolyta – Queen of theAmazons, betrothed to Theseus
Philostrate – Master of the Revels
Egeus – father of Hermia, wants her to marry Demetrius
Hermia – in love with Lysander
Helena – in love with Demetrius
Lysander – in love with Hermia
Demetrius – in love with Hermia at first but later loves Helena
Oberon – Titania's husband and King of the Fairies
Titania – Oberon's wife and Queen of the Fairies
Robin Goodfellow/Puck – servant to Oberon
Peaseblossom – fairy servant to Titania
Cobweb – fairy servant to Titania
Moth – fairy servant to Titania
Mustardseed – fairy servant to Titania
First Fairy, Second Fairy

5.      The Tempest:SB
The Tempest is a play by William Shakespeare, believed to have been written in 1610–11, and thought by many critics to be the last play that Shakespeare wrote alone. It is set on a remote island, where Prospero, the rightful Duke of Milan, plots to restore his daughter Miranda to her rightful place using illusion and skilful manipulation. He conjures up a storm, the eponymous tempest, to lure his usurping brother Antonio and the complicit King Alonso of Naples to the island. There, his machinations bring about the revelation of Antonio's low nature, the redemption of the King, and the marriage of Miranda to Alonso's son, Ferdinand.

Characters:
Prospero, the main character. The overthrown Duke of Milan. He now lives on an island and has become a great sorcerer.

Miranda, Prospero's daughter, who then falls in love with the Prince of Naples, Ferdinand.

Ariel, a mischievous spirit who does Prospero's bidding and is visible only to him. He became Prospero's "slave" because he was saved by him from being trapped in a tree by Sycorax.

Caliban, a villainous island native, son of a witch named Sycorax, who ruled the island before Prospero arrived. He now works as Prospero's slave but despises him. Son of Sycorax, sorceress who was put into exile and transferred to the island.

Alonso, King of Naples

Sebastian, Alonso's treacherous brother.

Antonio, Prospero's brother, who usurped his position as Duke of Milan. He and Sebastian plot unsuccessfully to kill Alonso and his family so as to come to the throne.

Ferdinand, Alonso's son. Falls in love with Miranda.

Gonzalo, a kindly Neapolitan courtier, who secretly provided Prospero and Miranda with food, water, and books when they were pushed out to sea.

Adrian and Francisco, lords.

Trinculo, the King's jester and friends with Stephano.

Stephano, the King's drunken steward and friend of Trinculo who tries to help Caliban to overthrow his master

Boatswain
Master of the ship

Iris, Ceres, and Juno, spirits and goddesses

6.      Measure for Measure:QMB
Measure for Measure is a play by William Shakespeare, believed to have been written in 1603 or 1604. It was (and continues to be) classified as comedy, but its mood defies those expectations. As a result and for a variety of reasons, some critics have labelled it as one of Shakespeare's problem plays. Originally published in theFirst Folio of 1623 (where it was first labelled as a comedy), the play's first recorded performance was in 1604. The play deals with the issues of mercy, justice, and truth and their relationship to pride and humility: "Some rise by sin, and some by virtue fall".

Characters:

Vincentio, The Duke, who also appears disguised as Friar Lodowick

Angelo, the Deputy, who rules in the Duke's absence

Escalus, an ancient lord

Claudio, a young gentleman

Lucio, a "fantastic", a foppish young nobleman

Two gentlemen, friends to Lucio

The Provost, who runs the prison

Thomas, a friar

Isabella, sister to Claudio

Mariana, betrothed to Angelo

Juliet, beloved of Claudio, pregnant with his child

Francisca, a nun.

Mistress Overdone, a bawd

Peter, a friar

Elbow, a simple constable

Froth, a foolish gentleman of fourscore pound a year

a clown, called Pompey

Abhorson, an executioner

Barnardine, a dissolute prisoner

a Justice, friend of Escalus

Varrius (silent role), a friend of the Duke

GROUP-C:
7.      King Henry IV, parts I&II.:MHC
Henry IV, Part 1 is a history play by William Shakespeare, believed to have been written no later than 1597. It is the second play in Shakespeare's tetralogydealing with the successive reigns of Richard II, Henry IV (two plays), and Henry V. Henry IV, Part 1 depicts a span of history that begins with Hotspur's battle at Homildon against the Douglas late in 1402 and ends with the defeat of the rebels at Shrewsbury in the middle of 1403. From the start it has been an extremely popular play both with the public and the critics.Characters:
Of the King's party
King Henry the Fourth – King of England; also known as "Bullingbrook" or "Bolingbroke", after his place of birth in Bolingbroke, Lincolnshire. He is also called "Lancaster" by Glendower, because he was Duke of Lancaster before becoming king

Henry, Prince of Wales – eldest son of Henry IV; nicknamed "Hal" or "Harry", and is sometimes called "Harry Monmouth" after his birthplace

John of Lancaster – represented in the play as the King's second son, although he was actually the third; called "John" by Hal but has "Lancaster" for a speech heading (confusingly, since Glendower refers to Henry IV as "Lancaster")

Earl of Westmorland

Sir Walter Blunt

Rebels
Henry Percy, Earl of Northumberland

Thomas Percy, Earl of Worcester – Northumberland's brother

Henry Percy – Northumberland's son, surnamed Hotspur

Edmund Mortimer, Earl of March – Hotspur's brother-in-law and Glendower's son-in-law

Owen Glendower – leader of the Welsh rebels

Archibald, Earl of Douglas – leader of the Scottish rebels
Sir Richard Vernon

Scroop, Archbishop of York

Sir Michael – a friend to the Archbishop of York

Lady Percy – Kate; Hotspur's wife and Mortimer's sister

Lady Mortimer – Glendower's daughter and Mortimer's wife
Eastcheap

Sir John Falstaff – a cowardly fat knight who befriends Prince Hal; a fictional character, he was originally called "Oldcastle" and distantly based on Sir John Oldcastle.King's Men actors who played the part of Falstaff included John Heminges, John Lowin, and Charles Hart.

Poins – also called Ned and Yedward
Bardolph
Peto
Mistress Quickly – hostess of the Boar's Head Tavern, where Hal and his friends congregate
Francis  tapster
Vintner – tavern keeper
Gadshill
Two Carriers
Ostler
Chamberlain
Sheriff
Travellers
Lords, Officers, Drawers, Messengers, and Attendants

8. Sonnets:TSS


Course-Eng 502
Modern Continental Literature in Translation
Marks: 100
GROUP –A:
1. Baudelaire:MM Selected Poems (Tr. by Joanna Richardson) penguin Books.
Spleen (I have more memories than a thousand years),
Spleen (When, like a lid, the low and heavy sky),
Correspondences,
The Albatross,
You would be all creation’s concubine,
The Cat (Come, lovely eat),
The Living Flame,
To a Crcole Woman,
The ghost,
Joyful Death.

2. Rilke:MM Selected Poems The Duino Elegies: The First Elegy and the Ninth Elegy

GROUP-B
3. Dostoevsky, Crime and Punishment:DM
Crime and Punishment is a novel by the Russian author Fyodor Dostoyevsky. It focuses on the mental anguish and moraldilemmas of Rodion Raskolnikov, an impoverished ex-student in St. Petersburg who formulates and executes a plan to kill an unscrupulouspawnbroker for her cash.  
Characters:
Raskolnikov (Rodion) is the protagonist, and the novel focuses primarily on his persepective. A 23-year-old man and former student, now destitute, Raskolnikov is described in the novel as "exceptionally handsome, above the average in height, slim, well built, with beautiful dark eyes and dark brown hair." 

Sofia Semyonovna Marmeladova  variously called Sonia (Sonya) and Sonechka, is the daughter of a drunk man named Semyon Zakharovich Marmeladov, whom Raskolnikov meets in a tavern at the beginning of the novel. She is often characterized as self-sacrificial, shy, and even innocent despite the fact that she is compelled into prostitution to help her family.

Avdotya Romanovna Raskolnikova (Авдотья Романовна Раскольникова) – Raskolnikov's dominant and sympathetic sister, called Dunya, Dounia or Dunechka for short.

Pulkheria Alexandrovna Raskolnikova Raskolnikov's relatively clueless, hopeful and loving mother. Following Raskolnikov's sentence, she falls ill (mentally and physically) and eventually dies. She hints in her dying stages that she is slightly more aware of her son's fate, which was hidden from her by Dunya and Razumikhin.

Dmitri Prokofich Razumikhin - Raskolnikov's loyal friend. In terms of Razumikhin's contribution to Dostoyevsky's anti-radical thematics, he is intended to represent something of a reconciliation of the pervasive thematic conflict between faith and reason. 

Praskovya Pavlovna Zarnitsyna a sickly girl who had died, and Praskovya Pavlovna had granted him extensive credit on the basis of this engagement and a promissory note for 115 roubles.

Porfiry Petrovich – The detective in charge of solving the murders of Lizaveta and Alyona Ivanovna, who, along with Sonya, moves Raskolnikov towards confession.

Arkady Ivanovich Svidrigaïlov (Аркадий Иванович Свидригайлов) – Sensual, depraved, and wealthy former employer and current pursuer of Dunya, Svidrigaïlov is suspected of multiple acts of murder, and overhears Raskolnikov's confessions to Sonya.

Marfa Petrovna Svidrigaïlova (Марфа Петровна Свидригайлова) – Arkady Svidrigaïlov's deceased wife, whom he is suspected of having murdered, and who he claims has visited him as a ghost. Her bequest of 3,000 rubles to Dunya allows Dunya to reject Luzhin as a suitor.
Katerina Ivanovna Marmeladova (Катерина Ивановна Мармеладова) – Semyon Marmeladov's consumptive and ill-tempered second wife, stepmother to Sonya. She drives Sonya into prostitution in a fit of rage, but later regrets it, and beats her children mercilessly, but works ferociously to improve their standard of living. She is obsessed with demonstrating that slum life is far below her station. Following Marmeladov's death, she uses Raskolnikov's money to hold a funeral. She later succumbs to her illness. The character is partially based on Polina Suslova.
Semyon Zakharovich Marmeladov (Семён Захарович Мармеладов) – Hopeless drunk who indulges in his own suffering, and father of Sonya. Marmeladov could be seen as a Russian equivalent of the character of Micawber inCharles Dickens' novel, David Copperfield.
Pyotr Petrovich Luzhin (Пётр Петрович Лужин) – A well-off lawyer who is engaged to Raskolnikov's sister Dunya in the beginning of the novel. His motives for the marriage are rather despicable, as he states more or less that he chose her since she will be completely beholden to him financially.
Andrey Semyenovich Lebezyatnikov (Андрей Семёнович Лебезятников) – Luzhin's utopian socialist and feministroommate who witnesses his attempt to frame Sonya and subsequently exposes him
Alyona Ivanovna (Алёна Ивановна) – Suspicious old pawnbroker who hoards money and is merciless to her patrons. She is Raskolnikov's intended target, who kills her in the beginning of the book.
Lizaveta Ivanovna (Лизавета Ивановна) – Alyona's handicapped, innocent and submissive sister. Raskolnikov murders her when she walks in immediately after Raskolnikov had killed Alyona. Lizaveta was a friend of Sonya.
Zosimov (Зосимов) – A friend of Razumikhin and a doctor who cared for Raskolnikov
Nastasya Petrovna (Настасья Петровна) – Raskolnikov's landlady's servant who often brings Raskolnikov food and drink
Nikodim Fomich (Никодим Фомич)– The amiable chief of police
Ilya "Gunpowder" Petrovich (Илья Петрович) – A police official and Fomich's assistant
Alexander Grigorievich Zamyotov (Александр Григорьевич Заметов) – Head clerk at the police station and friend to Razumikhin. Raskolnikov arouses Zamyotov's suspicions by explaining how he, Raskolnikov, would have committed various crimes, although Zamyotov later apologizes, believing, much to Raskolnikov's amusement, that it was all a farce to expose how ridiculous the suspicions were.
Nikolai Dementiev (Николай Дементьев) – A self-sacrificial painter and sectarian who admits to the murder, since his sect holds it to be supremely virtuous to suffer for another person's crime
Polina Mikhailovna Marmeladova (Полина Михайловна Мармеладова) – Ten-year-old adopted daughter of Semyon Zakharovich Marmeladov and younger stepsister to Sonya, sometimes known as Polechka

4. Kalfa, A Hunger Artist (Tr. by Willa and Edwin Muir):MHC
"A Hunger Artist" ("Ein Hungerkünstler") is a short story by Franz Kafkafirst published in Die neue Rundschau in 1922. The story was also included in the collection A Hunger Artist (Ein Hungerkünstler), the last book Kafka prepared for publication, printed by Verlag Die Schmiedeafter Kafka's death. The protagonist, a hunger artist who experiences the decline in appreciation of his craft, is an archetypical creation of Kafka: an individual marginalized and victimized by society at large. The title of the story has been translated also to "A Fasting Artist" and "A Starvation Artist".

Major Characters

The Hunger Artist

The key to the hunger artist’s character lies in his identity as a professional faster, and at the center of his dedication to the perfection of his art is his ambition to achieve something that no one has ever achieved before. The hunger that the hunger artist willfully endures has a double meaning: it refers to his vocation of fasting as well as his insatiable yearning to defy human imagination by fasting indefinitely. Driven to renounce the nourishment that the rest of humanity embraces, the hunger artist literally lives in self-denial, forsaking comfort, companionship, and, most important, food, all of which are necessary to survival. Thus, the hunger artist’s devotion to his art constitutes a thinly masked death wish. Unwilling to respond to the needs he has as a human being, let alone as a living thing, the hunger artist makes death the culmination of his life’s work.

The Impresario

The impresario is part of a class of people who exploit art and artists for their own personal gain. Though the impresario is the hunger artist’s “partner in an unparalleled career,” a description that would suggest camaraderie between the two men, he behaves for the most part as a parasite would, fattening himself on the proceeds presumably given to the hunger artist for his performances. The impresario finds sustenance by capitalizing on another man’s starvation. In essence, the impresario commodifies the hunger artist’s suffering, when all the hunger artist aspires to do is be recognized for his efforts and achievements. The impresario’s career trajectory and business practices, when taken together, further indicate his parasitic nature. Just as the parasite is most effective when it does not drain its host completely, the impresario is most successful for shepherding the hunger artist back from the brink of death at the end of each performance. Finally, the impresario abandons his host when nourishment is no longer available.
The Overseer
A circus manager who discovers the hunger artist dying in his cage. The overseer hears the hunger artist’s final words, but he clearly does not care whether he lives or dies. As soon as the hunger artist expires, the overseer callously orders that his body be taken away and replaces him with a panther.

GROUP-C
5. Ibsen, A Doll’s House (Tr. Rolf Fjelde): CMA
A Doll's House (Norwegian: Et dukkehjem; also translated as A Doll House) is a three-act play in prose by the playwright Henrik Ibsen. It premiered at the Royal Theatre in Copenhagen, Denmark, on 21 December 1879, having been published earlier that month.
The play was controversial when first published, as it is sharply critical of 19th century marriage norms. Michael Meyer argues that the play's theme is not women's rights, but rather "the need of every individual to find out the kind of person he or she really is and to strive to become that person." In a speech given to the Norwegian Women's Rights League in 1898, Ibsen insisted that he "must disclaim the honor of having consciously worked for the women's rights movement," since he wrote "without any conscious thought of making propaganda," his task having been "the description of humanity." The Swedish playwright August Strindberg attacked the play in his volume of short stories Getting Married(1884).
Characters:
TORVALD HELMER.
NORA, HIS WIFE.
DOCTOR RANK.
MRS. LINDE.
NILS KROGSTAD
HELMER'S THREE YOUNG CHILDREN.
ANNE, THEIR NURSE.
A HOUSEMAID.
A PORTER.

6. Pirandello. Six Characters in search of an Author (Tr. By Edward Storer):QMB
Six Characters in Search of an Author (Italian: Sei personaggi in cerca d'autore) is a 1921 Italian play by Luigi Pirandello, first performed in that same year. An absurdist metatheatrical play about the relationship between authors, their characters, and theatre practitioners, it premiered at the Teatro Valle in Rome to a mixed reception, with shouts from the audience of "Manicomio!" ("Madhouse!"), though the reception improved at subsequent performances — helped when Pirandello provided for the play's third edition, published in 1925, a foreword clarifying its structure and ideas.
The play had its American premiere in 1922 on Broadway at the Princess Theatre, and was performed for over a year off-Broadway at the Martinique Theatre beginning in 1963.
Characters:
The Father  -  A fattish man in his fifties with thin, reddish hair, a thick moustache, and piercing, blue oval eyes. Along with the Step-Daughter, he is the Character who most fervently insists on the staging of the Characters' drama.

The Step-Daughter -  Dashing, impudent, and beautiful. The Step-Daughter also seeks the realization of the Characters' drama to revenge herself on her Father. She is seductive, exhibitionistic and dangerously cruel, performing wildly to lure both the acting company and the author who would give her life. She is obsessed with the spectacle of the Characters' drama and that of her own self-image.

The Mother  -  Dressed in modest black and a thick widow's veil. The Mother's face is "wax- like," and her eyes always downcast. She bears the anguish of the Characters' drama, serving as its horrified spectator. She is the consummate figure of grief. Particularly agonizing to her is the aloofness of her estranged Son, whom she will approach to no avail throughout the play.

The Son  -  A tall, severe man of twenty-two. The Son appears contemptuous, supercilious, and humiliated by the other Characters. Having been grown up in the country, he is estranged from his family and, in his aloofness, will cause the elimination of the step-children within the Characters' drama. Ironically, he ultimately appear as witness to the two younger children's demise. His role as a character is his ashamed refusal to participate in the spectacle. He protests to the Manager that he is an unrealized character.

The Manager  -  Somewhat slow-witted and of fiery temper. The Manager is largely a comic figure who agrees to play the role of the Characters' author and realizing their drama. Throughout the play, he remains committed to the vulgar notions of reality that the Characters, particularly his double the Father, would trouble and bound to the conventions of the stagecraft.

The Boy  -  Timid and wretched, the fourteen-year-old Boy has been driven mute in his humiliation at having to enter the new household on the Father's charity. As a result, he suffers the Step-Daughter's contempt. He and the Child are "accessory figures" of sorts to the Mother, functioning to keep her torture "actual." Neither exist for themselves. He also wears the black of mourning.

he Child  -  A four-year-old girl dressed in white who also does not speak. The Step-Daughter dotes on the Child out of remorse and pity, particularly in light of what she perceives as the Mother's neglect. Her role is that of the fallen innocent, the Characters' drama demanding the elimination of the stepchildren and return to the original household.

Madame Pace  -  The Step-Daughter's exploitative Madame. Pace is a fat, older woman with "puffy oxygenated hair." She is "rouged and powdered" and wears black silk with a "comical elegance." A pair of scissors hangs from a silver chain at her waist. Conjured out of nowhere in Act II, Pace is an apparition, her birth an exercise in what the Father describes as the magic of the stage. In translation, she speaks a comically broken English.

Leading Lady -  A stereotypical star of the stage, the Leading Lady bristles at the Characters' experiment. Petty and egotistical, she will not support their laughter, protests their vulgar stage tricks, and continually insists that she will deliver a performance superior to theirs. She plays the role of the Step-Daughter.

Leading Man -  Another haughty actor, the Leading Man plays the role of the Father. At the beginning of the play, he protests the absurdity of the Pirandello play. He also flirts with the Step-Daughter.

Second Lady  -  The Second Lady plays the role of the Mother.

Juvenile Lead -  In the company's production, the Juvenile Lead plays the role of the Son.
Prompter -  The Prompter is an ever-present member of the Crew who holds the book in the first rehearsal and attempts to record the Characters' drama in shorthand.

Course – Eng 503
English Language Teaching
Marks 100

A. Theories in Second Language Acquisition
1. Nativist theories of SLA:SM
            (i) General Characteristics
            (ii) Chomsky’s Universal Grammar and SLA
            (iii) A critique of language-specific nativist theories
2. Environmentalist Theories of SLA:SM
            (i)General characteristics
            (ii) Schumann’s Pidginization Hypothesis and Acculturation Model
            (iii)A critique of the Pidginization Hypothesis and Acculturation Model
B. Research & Teaching Methodology:CMA

1. Interlanguage studies
(i) introduction
(ii) Contrastive analysis
(iii) Error analysis
(iv) Performance analysis
2.Explanation for differential success among second language leaners:
(i) Age
(ii)Aptitude
(iii) Social- psychological factors: Motivation and Attitude
(iv) Personality
(v) Cognitive
(vi) Hemisphere specialization
(vii) Learning Strategies
(viii) Other Factors

3.Approach and Methods in Language Teaching
(i)Grammar-translation Method
(ii) Communicative Language Teaching
(iii) The Audiolingual Method
(iv)The Oral Approach and Situational Language Teaching
(v) Others.
4. Testing and Evaluation

C. Course and Material design:TSS
D. Syntax and morphology
(i) Articles
(ii) Tense and aspects
(iii) Prepositions
(iv) Modals and Conditionals
(v)Affixation –Derivation and inflections.
E. Discourse Analysis. Pragmatics and practical Stylistics: MRU
(i) Speech Acts and Conversational Maxims
(ii) The analysis of literary discourse
(iii) Teaching language through literature

Course –Eng 504(A):
Modern American Literature
GROUP-A
1. Whitman: Songs of Myself:TJB
2.Emily Dickinson: Selections:MM (as in The Norton Anthology of American Literature, 2 Edition)
3.Robert Frost: Selections: (as in The Norton Anthology of modern poetry (ed.) Ellman, et. al)
4.William Carlos Williams: Selections (as in The Norton Anthology of Modern poetry I (ed.) Ellman, et. Al)

GROUP-B:
5.Melville: Moby Dick.:
Moby-Dick; or, The Whale is a novel by Herman Melville, first published in 1851. It is considered to be one of the Great American Novels and a treasure of world literature. The story tells the adventures of wandering sailor Ishmael, and his voyage on the whaleship Pequod, commanded byCaptain Ahab. Ishmael soon learns that Ahab has one purpose on this voyage: to seek out Moby Dick, a ferocious, enigmatic white sperm whale. In a previous encounter, the whale destroyed Ahab's boat and bit off his leg, which now drives Ahab to take revenge.
In Moby-Dick, Melville employs stylized language, symbolism, and themetaphor to explore numerous complex themes. Through the journey of the main characters, the concepts of class and social status, good and evil, and the existence of God are all examined, as the main characters speculate upon their personal beliefs and their places in the universe. The narrator's reflections, along with his descriptions of a sailor's life aboard a whaling ship, are woven into the narrative along with Shakespearean literary devices, such as stage directions, extended soliloquies, and asides. The book portrays destructive obsession and monomania, as well as the assumption of anthropomorphism—projecting human instincts, characteristics and motivations onto animals. Moby Dick is ruthless in attacking the sailors who attempt to hunt and kill him, but it is Ahab who invests Moby Dick's natural instincts with malignant and evil intentions. In fact, it is not the whale but the crippled Ahab who alone possesses this characteristic.
Moby-Dick has been classified as American Romanticism. It was first published by Richard Bentley in London on October 18, 1851, in anexpurgated three-volume edition titled The Whale, and weeks later as a single volume, by New York City publisher Harper and Brothers as Moby-Dick; or, The Whale on November 14, 1851. The book initially received mixed reviews, but Moby-Dick is now considered part of the Western canon, and at the center of the canon of American novels.
"Moby-Dick" begins with the line "Call me Ishmael." According to the American Book Review's rating in 2011, this is one of the most recognizable opening lines in Western literature.
Characters:

Ishmael

Elijah

Ahab

Captain Boomer

Moby Dick

Mates

Starbuck

Stubb

Flask

Harpooneers

Queequeg

Tashtego

Daggoo

Fedallah

Pip 
Dough Boy
The crew as a whole
6.Twain: The adventures of Hucklebury Finn:ZC
Adventures of Huckleberry Finn (or, in more recent editions, The Adventures of Huckleberry Finn) is a novel by Mark Twain, first published in England in December 1884 and in the United States in February 1885. Commonly named among the Great American Novels, the work is among the first in major American literature to be written in thevernacular, characterized by local color regionalism. It is told in the first person by Huckleberry "Huck" Finn, a friend of Tom Sawyer and narrator of two other Twain novels (Tom Sawyer Abroad and Tom Sawyer, Detective). It is a sequel to The Adventures of Tom Sawyer.
The book is noted for its colorful description of people and places along the Mississippi River. Satirizing a Southern antebellum society that had ceased to exist about twenty years before the work was published,Adventures of Huckleberry Finn is an often scathing look at entrenched attitudes, particularly racism.
Perennially popular with readers, Adventures of Huckleberry Finn has also been the continued object of study by serious literary critics since its publication. It was criticized upon release because of its coarse language and became even more controversial in the 20th century because of its perceived use of racial stereotypes and because of its frequent use of the racial slur "nigger", despite strong arguments that the protagonist, and the tenor of the book, is anti-racist.
Characters:
Huckleberry Finn, a boy about thirteen or fourteen. He has been brought up by his father, the town drunk, and has a hard time fitting into society.
Widow Douglas is the kind old lady who has taken him in after he and Tom come into some money. She tries her best to civilize Huck, believing it is her Christian duty.
The widow’s sister, a tough old spinster called Miss Watson, also lives with them. She is pretty hard on Huck, causing him to resent her a good deal. Samuel Clemens may have drawn inspiration for her from several people he knew in his life.
Jim, the widow's big, mild-mannered slave to whom Huck becomes very close in the novel.
Tom Sawyer, Huck’s friend, the main character of other Twain novels and the leader of the town boys in adventures, is "the best fighter and the smartest kid in town".
Huck’s father, "Pap" Finn, is the town drunk. He is often angry at Huck and resents him getting any kind of education.
Mrs. Judith Loftus seemingly plays a small part in the novel — being the kind and perceptive woman whom Huck talks to in order to find out about the search for Jim — but many critics believe her to be the best female character in the novel.
The Grangerfords, the prominent family of Col. Grangerford, takes Huck in until most of them are killed in a feud with another family.
After the Grangerfords, Huck and Jim take aboard two con artists who call themselves the Duke and the King.
Joanna, Mary Jane and Susan are the three young women whose wealthy uncle and caretaker recently died.
When Huck goes after Jim, he meets Tom's Aunt Sally and Uncle Silas Phelps. She is a loving, but high-strung lady, and he a plodding old man.
Many other characters play important but minimal roles in the many episodes that make up the novel. They include slaves owned by the various families they meet, supporting townspeople, rafts-men, a doctor and a steamboat captain.

7. F. Scott Fitzerald: The Great Gatsby
The Great Gatsby is a novel by American author F. Scott Fitzgerald. The story takes place in 1922, during the Roaring Twenties, the post-World War I (WWI) prosperous time in the United States. Described as the "ironic tale of life on Long Island at a time when gin was the national drink and sex the national obsession," it received critical acclaim. In it Mr. Fitzgerald was at his best...his "ability to catch the flavor of a period, the fragrance of a night, a snatch of old song". The book is widely regarded as a "Great American Novel" and a literary classic, capturing the essence of an era and the post-war "carefree madness" of a nation hungry for life. The Modern Library named it the second best English language novel of the 20th Century.
In a 1924 letter, Fitzgerald said, "the burden of The Great Gatsby was the loss of those illusions that give such color to the world that you don't care whether things are true or false as long as they partake of the magical glory."
Characters
Nick Carraway -  The novel’s narrator, Nick is a young man from Minnesota who, after being educated at Yale and fighting in World War I, goes to New York City to learn the bond business. Honest, tolerant, and inclined to reserve judgment, Nick often serves as a confidant for those with troubling secrets. After moving to West Egg, a fictional area of Long Island that is home to the newly rich, Nick quickly befriends his next-door neighbor, the mysterious Jay Gatsby. As Daisy Buchanan’s cousin, he facilitates the rekindling of the romance between her and Gatsby. The Great Gatsby is told entirely through Nick’s eyes; his thoughts and perceptions shape and color the story.

Jay Gatsby -  The title character and protagonist of the novel, Gatsby is a fabulously wealthy young man living in a Gothic mansion in West Egg. He is famous for the lavish parties he throws every Saturday night, but no one knows where he comes from, what he does, or how he made his fortune. As the novel progresses, Nick learns that Gatsby was born James Gatz on a farm in North Dakota; working for a millionaire made him dedicate his life to the achievement of wealth. When he met Daisy while training to be an officer in Louisville, he fell in love with her. Nick also learns that Gatsby made his fortune through criminal activity, as he was willing to do anything to gain the social position he thought necessary to win Daisy. Nick views Gatsby as a deeply flawed man, dishonest and vulgar, whose extraordinary optimism and power to transform his dreams into reality make him “great” nonetheless.

Daisy Buchanan -  Nick’s cousin, and the woman Gatsby loves. As a young woman in Louisville before the war, Daisy was courted by a number of officers, including Gatsby. She fell in love with Gatsby and promised to wait for him. However, Daisy harbors a deep need to be loved, and when a wealthy, powerful young man named Tom Buchanan asked her to marry him, Daisy decided not to wait for Gatsby after all. Now a beautiful socialite, Daisy lives with Tom across from Gatsby in the fashionable East Egg district of Long Island. She is sardonic and somewhat cynical, and behaves superficially to mask her pain at her husband’s constant infidelity.

Tom Buchanan -  Daisy’s immensely wealthy husband, once a member of Nick’s social club at Yale. Powerfully built and hailing from a socially solid old family, Tom is an arrogant, hypocritical bully. His social attitudes are laced with racism and sexism, and he never even considers trying to live up to the moral standard he demands from those around him. He has no moral qualms about his own extramarital affair with Myrtle, but when he begins to suspect Daisy and Gatsby of having an affair, he becomes outraged and forces a confrontation.

Jordan Baker -  Daisy’s friend, a woman with whom Nick becomes romantically involved during the course of the novel. A competitive golfer, Jordan represents one of the “new women” of the 1920s—cynical, boyish, and self-centered. Jordan is beautiful, but also dishonest: she cheated in order to win her first golf tournament and continually bends the truth.

Myrtle Wilson -  Tom’s lover, whose lifeless husband George owns a run-down garage in the valley of ashes. Myrtle herself possesses a fierce vitality and desperately looks for a way to improve her situation. Unfortunately for her, she chooses Tom, who treats her as a mere object of his desire.

George Wilson -  Myrtle’s husband, the lifeless, exhausted owner of a run-down auto shop at the edge of the valley of ashes. George loves and idealizes Myrtle, and is devastated by her affair with Tom. George is consumed with grief when Myrtle is killed. George is comparable to Gatsby in that both are dreamers and both are ruined by their unrequited love for women who love Tom.

Owl Eyes -  The eccentric, bespectacled drunk whom Nick meets at the first party he attends at Gatsby’s mansion. Nick finds Owl Eyes looking through Gatsby’s library, astonished that the books are real.

Klipspringer -  The shallow freeloader who seems almost to live at Gatsby’s mansion, taking advantage of his host’s money. As soon as Gatsby dies, Klipspringer disappears—he does not attend the funeral, but he does call Nick about a pair of tennis shoes that he left at Gatsby’s mansion.

Meyer Wolfsheim -  Gatsby’s friend, a prominent figure in organized crime. Before the events of the novel take place, Wolfsheim helped Gatsby to make his fortune bootlegging illegal liquor. His continued acquaintance with Gatsby suggests that Gatsby is still involved in illegal business.

8. Hemingway: A Farewell to Arms
A Farewell to Arms is a novel written by Ernest Hemingway set during the Italian campaign of World War I. The book, published in 1929, is afirst-person account of American Frederic Henry, serving as a Lieutenant("Tenente") in the ambulance corps of the Italian Army. The title is taken from a poem by 16th-century English dramatist George Peele.
A Farewell to Arms focuses on a romance between Henry and a British nurse, Catherine Barkley, against the backdrop of World War I, cynical soldiers, fighting and the displacement of populations. The publication of this, Hemingway's bleakest novel, cemented his stature as a modern American writer, became his first best-seller, and is described by biographer Michael Reynolds as "the premier American war novel from that debacle [World War I]".
The novel was first adapted to stage by Laurence Stallings in 1930, then to film in 1932, with a 1957 remake.

 

Characters

Lieutenant Frederic Henry – An American who volunteers for the Italian ambulance corps before the United States joins the war. Various Italian characters also refer to him as “Tenente” (Lieutenant) or “Federico” (Frederic). Henry is a classic Hemingway hero in that he is a stoic who does his duty without complaint. Yet Henry also undergoes tremendous development through the course of the novel. At the beginning of the novel, he has never experienced true loss, believes that war is dreadful but necessary, has a lust for adventure, drinking, and women, and sees Catherineas just another diversion. As the stakes of the war intensify, however, he becomes deeply pessimistic about the war and realizes that his love for Catherine is the only thing he is willing to commit himself to.

Catherine Barkley – An English nurse in Italy, she bears the spiritual scars of having lost her fiancé in the Battle of the Somme. When she meets Henry, she is ready to throw herself into a new relationship in order to escape the loss of the old one, enlisting Henry to pretend that they are deeply in love almost as soon as they meet. Emotionally damaged, she can never bring herself to marry Henry, but wants to be with him in an idealized union apart from the rest of the world. Through the constant understatements and deprecating humor in her dialogue, even at moments of extreme danger such as the labor that goes wrong, she reveals herself to be a stoic match for Henry, the female side of the Hemingway hero, who does much and says little.

Rinaldi – A skilled surgeon, ladies’ man, and Henry’s best friend in the Italian Army. His boastful rambunctious banter provides a counterpoint to Henry’s reserved stoicism.

Helen Ferguson – An English nurse’s aide and close friend to Catherine. As Catherine and Henry’s love affair becomes more consuming, Helen becomes concerned for her friend’s emotional well-being. Though she is confident and competent, Helen is also lonely.

The Priest – A military clergyman from a peasant community in northern Italy. He endures endless jibes from the soldiers about his celibacy, but with good humor. He and Henry have several conversations about manhood, religion, and values.

The Major – Another officer serving in the town of Gorizia, he delights in taunting the priest, who he thinks is pathetic for not sleeping with women.

Count Greffi – A 94-year-old former diplomat, he is a father figure to Henry. He beats Henry at billiards and engages him in a philosophical conversation about love and war.

Dr. Valentini – A capable, boisterous doctor who operates on Henry’s leg, providing a contrast with the timid trio of doctors who wanted to wait six months before operating.

Ettore Moretti – A decorated Italian-American war hero whom Henry finds tedious.

The American Soldier – A fellow American serving in the Italian army who purposely tries to magnify the severity of a hernia he has in order to get out of combat.

Gordini, Passini, Manera, and Gavuzzi – Ambulance drivers under Henry‘scommand.

Mrs. Walker – An overly anxious nurse at the hospital in Milan where Henry is taken to recuperate from his injury.

Miss Gage – A young nurse at the hospital in Milan who is fond of Henry.

Miss Van Campen – The head nurse of the hospital. She and Henry dislike each other.

The Porter – An underling at the hospital. He works for tips.

The Barber – Hired by the Porter to shave Henry, he nearly ends up cutting Henry’s throat because he thinks Henry is an Austrian.

Crowell Rodgers – A young American soldier who has injured himself while trying to remove the cap of a trench mortar shell to keep as a souvenir.

Mr. Meyers – A shady fixer of horse races in Milan.

Gino – A patriotic Italian youth.

Bonello – A bloodthirsty ambulance driver who finishes off a man that Henryhas shot, and then jokes about it.

Aymo – An ambulance driver who is killed by friendly fire from the panicked Italian rear guard during a disastrous retreat.

Piani – Another ambulance driver.

The Sergeants – Given a lift by Bonello during the Italian retreat, they refuse to help when the vehicles become stuck. Henry and Bonello shoot one of them.

The Lieutenant-Colonel – A dignified officer who is executed by military police, in front of Henry, for some imagined treachery or cowardice during the retreat.

The Proprietor – A man who serves Henry wine and then offers to let Henry, clearly a fugitive at that time, hide in his house.

Ralph Simmons – An American opera singer, Simmons helps Henry after Henry deserts from the Italian army.

Emilio – The bartender at the hotel in Stresa where Henry is reunited withCatherine. He helps Henry and Catherine escape the military police.

Mr. and Mrs. Guttingen – The kind proprietors of the chalet where Henry andCatherine live in Switzerland.

9. Toni Morrison: Beloved
Beloved is a novel by the American writer Toni Morrison, published in 1987. Set during 1873 after the American Civil War (1861–1865), it is inspired by the story of an African-American slave, Margaret Garner, who temporarily escaped slavery during 1856 in Kentucky by fleeing to Ohio, afree state. A posse arrived to retrieve her and her children under theFugitive Slave Act of 1850, which gave slave owners the right to pursue slaves across state borders. Margaret killed her two-year-old daughter rather than allow her to be recaptured.
Beloved's main character, Sethe, kills her daughter and tries to kill her other three children when a posse arrives in Ohio to return them to Sweet Home, the plantation in Kentucky from which Sethe recently fled. A woman presumed to be her daughter, called Beloved, returns years later to haunt Sethe's home at 124 Bluestone Road, Cincinnati. The story opens with an introduction to the ghost: "124 was spiteful. Full of a baby's venom."
The novel won the Pulitzer Prize for Fiction in 1988. It was adapted during 1998 into a movie of the same name starring Oprah Winfrey. During 2006 a New York Times survey of writers and literary critics ranked it as the best work of American fiction of the past 25 years.
The book's epigraph reads "Sixty Million and more," dedicated to the Africans and their descendants who died as a result of the Atlantic slave trade.
Characters:
Sethe  -  Sethe, the protagonist of Beloved, is a proud and independent woman who is extremely devoted to her children. Though she barely knew her own mother, Sethe’s motherly instincts are her most striking characteristic. Unwilling to relinquish her children to the physical, emotional, sexual, and spiritual trauma she endured as a slave at Sweet Home, she attempts to murder them in an act of motherly love and protection. She remains haunted by this and other scarring events in her past, which she tries, in vain, to repress.

Denver  -  Sethe’s youngest child, Denver is the most dynamic character in the novel. Though intelligent, introspective, and sensitive, Denver has been stunted in her emotional growth by years of relative isolation. Beloved’s increasing malevolence, however, forces Denver to overcome her fear of the world beyond 124 and seek help from the community. Her foray out into the town and her attempts to find permanent work and possibly attend college mark the beginning of her fight for independence and self-possession

Beloved  -  Beloved’s identity is mysterious. The novel provides evidence that she could be an ordinary woman traumatized by years of captivity, the ghost of Sethe’s mother, or, most convincingly, the embodied spirit of Sethe’s murdered daughter. On an allegorical level, Beloved represents the inescapable, horrible past of slavery returned to haunt the present. Her presence, which grows increasingly malevolent and parasitic as the novel progresses, ultimately serves as a catalyst for Sethe’s, Paul D’s, and Denver’s respective processes of emotional growth.

Paul D  -  The physical and emotional brutality suffered by Paul D at Sweet Home and as part of a chain gang has caused him to bury his feelings in the “rusted tobacco tin” of his heart. He represses his painful memories and believes that the key to survival is not becoming too attached to anything. At the same time, he seems to incite the opening up of others’ hearts, and women in particular tend to confide in him. Sethe welcomes him to 124, where he becomes her lover and the object of Denver’s and Beloved’s jealousy. Though his union with Sethe provides him with stability and allows him to come to terms with his past, Paul D continues to doubt fundamental aspects of his identity, such as the source of his manhood and his value as a person.

Baby Suggs  -  After Halle buys his mother, Baby Suggs, her freedom, she travels to Cincinnati, where she becomes a source of emotional and spiritual inspiration for the city’s black residents. She holds religious gatherings at a place called the Clearing, where she teaches her followers to love their voices, bodies, and minds. However, after Sethe’s act of infanticide, Baby Suggs stops preaching and retreats to a sickbed to die. Even so, Baby Suggs continues to be a source of inspiration long after her death: in Part Three her memory motivates Denver to leave 124 and find help. It is partially out of respect for Baby Suggs that the community responds to Denver’s requests for support.

Stamp Paid  -  Like Baby Suggs, Stamp Paid is considered by the community to be a figure of salvation, and he is welcomed at every door in town. An agent of the Underground Railroad, he helps Sethe to freedom and later saves Denver’s life. A grave sacrifice he made during his enslavement has caused him to consider his emotional and moral debts to be paid off for the rest of his life, which is why he decided to rename himself “Stamp Paid.” Yet by the end of the book he realizes that he may still owe protection and care to the residents of 124. Angered by the community’s neglect of Sethe, Denver, and Paul D, Stamp begins to question the nature of a community’s obligations to its members.

schoolteacher  -  Following Mr. Garner’s death, schoolteacher takes charge of Sweet Home. Cold, sadistic, and vehemently racist, schoolteacher replaces what he views as Garner’s too-soft approach with an oppressive regime of rigid rules and punishment on the plantation. Schoolteacher’s own habits are extremely ascetic: he eats little, sleeps less, and works hard. His most insidious form of oppression is his “scientific” scrutiny of the slaves, which involves asking questions, taking physical measurements, and teaching lessons to his white pupils on the slaves’ “animal characteristics.” The lower-case s of schoolteacher’s appellation may have an ironic meaning: although he enjoys a position of extreme power over the slaves, they attribute no worth to him.

Halle  -  Sethe’s husband and Baby Suggs’s son, Halle is generous, kind, and sincere. He is very much alert to the hypocrisies of the Garners’ “benevolent” form of slaveholding. Halle eventually goes mad, presumably after witnessing schoolteacher’s nephews’ violation of Sethe.

Lady Jones  -  Lady Jones, a light-skinned black woman who loathes her blond hair, is convinced that everyone despises her for being a woman of mixed race. Despite her feelings of alienation, she maintains a strong sense of community obligation and teaches the underprivileged children of Cincinnati in her home. She is skeptical of the supernatural dimensions of Denver’s plea for assistance, but she nevertheless helps to organize the community’s delivery of food to Sethe’s plagued household.

Ella  -  Ella worked with Stamp Paid on the Underground Railroad. Traumatized by the sexual brutality of a white father and son who once held her captive, she believes, like Sethe, that the past is best left buried. When it surfaces in the form of Beloved, Ella organizes the women of the community to exorcise Beloved from 124.

Mr. and Mrs. Garner -  Mr. and Mrs. Garner are the comparatively benevolent owners of Sweet Home. The events at Sweet Home reveal, however, that the idea of benevolent slavery is a contradiction in terms. The Garners’ paternalism and condescension are simply watered-down versions of schoolteacher’s vicious racism.

Mr. and Miss Bodwin -  Siblings Mr. and Miss Bodwin are white abolitionists who have played an active role in winning Sethe’s freedom. Yet there is something disconcerting about the Bodwins’ politics. Mr. Bodwin longs a little too eagerly for the “heady days” of abolitionism, and Miss Bodwin demonstrates a condescending desire to “experiment” on Denver by sending her to Oberlin College. The distasteful figurine Denver sees in the Bodwins’ house, portraying a slave and displaying the message “At Yo’ Service,” marks the limits and ironies of white involvement in the struggle for racial equality. Nevertheless, the siblings are motivated by good intentions, believing that “human life is holy, all of it.”

Amy Denver  -  A nurturing and compassionate girl who works as an indentured servant, Amy is young, flighty, talkative, and idealistic. She helps Sethe when she is ill during her escape from Sweet Home, and when she sees Sethe’s wounds from being whipped, Amy says that they resemble a tree. She later delivers baby Denver, whom Sethe names after her.

Paul A, Paul F, and Sixo -  Paul A and Paul F are the brothers of Paul D. They were slaves at Sweet Home with him, Halle, Sethe, and, earlier, Baby Suggs. Sixo is another fellow slave. Sixo and Paul A die during the escape from the plantation.

GROUP-C:
10.  O’Neill: The Long Day’s Journey into Night
Long Day's Journey into Night is a drama in four acts written by American playwright Eugene O'Neill in 1941–42 but only published in 1956. The play is widely considered to be his masterwork. O'Neill posthumously received the 1957 Pulitzer Prize for Drama for the work.

Characters:
James Tyrone, Sr.
Mary Cavan Tyrone
James “Jamie”, Jr.
Edmund
Cathleen
Eugene Tyrone
Bridget
McGuire
Shaughnessy
Harker
Doctor Hardy
Smythe
The mistress
Mary's father
James's parents and siblings

11. Edward Albee: The Zoo Story:JBS
The Zoo Story, originally titled Peter and Jerry, is a one-act play by American playwright Edward Albee. His first play, it was written in 1958 and completed in just three weeks. The play explores themes of isolation, loneliness, miscommunication as anathematization, social disparity and dehumanization in a commercial world.
Initially the play was rejected by New York producers. Albee first had it staged in Europe, premiering in West Berlin at the Schiller Theater Werkstatt on September 28, 1959. In its first American staging, it was performed by the Provincetown Playhouse in 1960 and paired withSamuel Beckett's Krapp's Last Tape. In this first American production, Peter and Jerry were played byWilliam Daniels and George Maharis, respectively.
Characters:
Jerry
Peter
12. A Miller: Death of a Salesman:RJ
It was the recipient of the 1949 Pulitzer Prize for Drama and Tony Award for Best Play. The play premiered on Broadway in February 1949, running for 742 performances, and has been revived on Broadway four times, winning three Tony Awards for Best Revival.

Characters
William "Willy" Loman: The salesman. He is 63 years old and very unstable, tending to imagine events from the past as if they are real. He vacillates between different perceptions of his life. Willy seems childlike and relies on others for support. His first name, Willy, reflects this childlike aspect as well as sounding like the question "Will he?" His last name gives the feel of Willy's being a "low man," someone low on the social ladder and unlikely to succeed; however, this popular interpretation of his last name has been dismissed by Miller.

Linda Loman: Willy's wife. Linda is passively supportive and docile when Willy talks unrealistically about hopes for the future, although she seems to have a good knowledge of what is really going on. She chides her sons, particularly Happy, for not helping Willy more, and supports Willy lovingly, despite the fact that Willy sometimes treats her poorly, ignoring her opinions over those of others. She is the first to realize Willy is contemplating suicide at the beginning of the play, and urges Biff to make something of himself, while expecting Happy to help Biff do so.

Biff Loman: Willy's older son. Biff was a football star with lots of potential in high school, but failed math his senior year and dropped out of summer school due to seeing Willy with another woman while visiting him in Boston. He goes between going home to try to fulfill Willy's dream for him to be a businessman and ignoring his father and going out West to be a farmhand where he is happiest. He likes being outdoors and working with his hands yet wants to do something worthwhile so Willy will be proud. Biff steals because he wants evidence of success, even if it is false evidence, but overall Biff remains a realist, and informs Willy that he is just a normal guy, and will not be a great man.

Harold "Happy" Loman: Willy's younger son. He's lived in the shadow of his older brother Biff most of his life and seems to be almost ignored, but he still tries to be supportive towards his family. He has a very restless lifestyle as a womanizer and dreams of moving beyond his current job as an assistant to the assistant buyer at the local store, but is unfortunately willing to cheat a little in order to do so, by taking bribes. He is always looking for approval from his parents, but rarely gets any, and he even goes as far as to make things up just for attention, such as telling his parents he is going to get married. He tries often to keep his family's perceptions of each other positive or "happy" by defending each of them during their many arguments, but still has the most turbulent relationship with Linda, who looks down on him for his lifestyle and apparent cheapness, despite him giving them money.

Charley: Willy's wisecracking yet understanding neighbor. He pities Willy and frequently lends him money and comes over to play cards with Willy, although Willy often treats him poorly. Willy is jealous of him because his son is more successful than Willy's. Charley offers Willy a job many times during visits to his office, yet Willy declines every time, even after he loses his job as a salesman.

Bernard: Charley's son. In Willy's flashbacks, he is a nerd, and Willy forces him to give Biff test answers. He worships Biff and does anything for him. Later, he is a very successful lawyer, married, and expecting a second son. These successes are of the very kind that Willy wants for his sons, and in particular, Biff, making him contemplate where he had gone wrong as a father.

Uncle Ben: Willy's older brother who became a diamond tycoon after a detour to Africa. He is dead but Willy frequently speaks to him in his hallucinations of the past. Ben frequently boasts, "when I was seventeen I walked into the jungle, and when I was twenty-one I walked out. And by God I was rich." He is Willy's role model, although he is much older and has no real relationship with Willy, preferring to assert his superiority over his younger brother. He represents Willy's idea of the American Dream success story, and is shown coming by the Lomans' house while on business trips to share stories.

Ms. Francis: A woman with whom Willy cheated on Linda.

Howard Wagner: Willy's boss. He was named by Willy, and yet he sees Willy as a liability for the company and lets him go, ignoring all the years that Willy has given to the company. Howard is extremely proud of his wealth, which is manifested in his recording machine, and his family.

Jenny: Charley's secretary.

Stanley: A waiter at the restaurant who seems to be friends or acquainted with Happy.

Miss Forsythe: A call girl (prostitute) whom Happy picks up at the restaurant. She is very pretty and claims she was on several magazine covers. Happy lies to her, making himself and Biff look like they are important and successful. (Happy claims that he attended West Point and that Biff is a star football player.)

Letta: Miss Forsythe's friend; also a call girl.


Or
Course- Eng 504(B)
Middle English Literature
Marks 100

Course-Eng 505(A)
Post Colonial and Post Modern Literature
I.   Post Colonial Literature

1. Kipling                    - Kim:
Kim is a picaresque novel by Nobel Prize-winning English author Rudyard Kipling. It was first published serially in McClure's Magazine from December 1900 to October 1901 as well as in Cassell's Magazine from January to November 1901, and first published in book form by Macmillan & Co. Ltd in October 1901. The story unfolds against the backdrop of The Great Game, the political conflict between Russia and Britain in Central Asia. It is set after the Second Afghan War which ended in 1881, but before the Third, probably in the period 1893–98. The novel is notable for its detailed portrait of the people, culture, and varied religions of India. "The book presents a vivid picture of India, its teeming populations, religions, and superstitions, and the life of the bazaars and the road."
In 1998, the Modern Library ranked Kim #78 on its list of the 100 best English-language novels of the 20th century. In 2003 the book was listed on the BBC's The Big Read poll of the UK's "best-loved novel."
Characters:
Kimball "Kim" O'Hara – is an orphan son of an Irish soldier, the protagonist; "A poor white, the poorest of the poor"
Teshoo Lama – a Tibetan Lama, the former abbot of the Such-zen monastery in the western Himalayas, on a spiritual journey
Mahbub Ali – a famous Pashtun horse trader and spy for the British
Colonel Creighton – British Army officer, ethnologist and spy
Lurgan Sahib – a Simla gem trader and master spy
Hurree Chunder Mookherjee (Hurree Babu, also the Babu) – a Bengali intelligence operative working for the British; Kim's direct superior
the Kulu woman (the Sahiba)
the Woman of Shamlegh (Lispeth) who helps Kim and the Lama to evade the Russian spies and return to the plains
the old soldier – a native officer who had been loyal to the British during the Mutiny
Reverend Arthur Bennett – the Church of England chaplain of the Mavericks, the Irish regiment to which Kim's father belonged
Father Victor – the Roman Catholic chaplain of the Mavericks
a Lucknow prostitute whom Kim pays to help disguise him
a Kamboh farmer whose sick child Kim helps to cure
Huneefa – a sorceress who performs a devil invocation ritual to protect Kim
E.23 – a spy for the British whom Kim helps avoid capture

2. Coetzee.J.M.           - Life and Times of Michael K:ZC
Life & Times of Michael K is a 1983 novel by South African-born writerJ. M. Coetzee, winner of the Nobel Prize in Literature for the year 2003. The book itself won the Booker Prize for 1983. The novel is a story of hare lipped, simple gardener Michael K, who makes an arduous journey fromcivil war-ridden urban South Africa to his mother's rural birthplace, duringapartheid era, in the 1970-80s.

Characters:

Michael K (K)

Anna K

The Medical Officer


3. Chosh. Amitav        - Shadow Lines:ZC
The Shadow Lines (1988) is a Sahitya Akademi Award-winning novelby Indian-Bengali writer Amitav Ghosh. It is a book that captures perspective of time and events, of lines that bring people together and hold them apart, lines that are clearly visible from one perspective and nonexistent from another. Lines that exist in the memory of one, and therefore in another's imagination. A narrative built out of an intricate, constantly crisscrossing web of memories of many people, it never pretends to tell a story. Rather it invites the reader to invent one, out of the memories of those involved, memories that hold mirrors of differing shades to the same experience.
The novel is set against the backdrop of historical events like Swadeshi movement, Second World War, Partition of India and Communal riots of 1963-64 in Dhaka and Calcutta.
The novel brought its author the 1989 Sahitya Akademi Award for English, by the Sahitya Akademi, India's National Academy of Letters.
·         Narrator – The protagonist is a middle class boy who grows up in a middle-class family.
·         Tridib – He was the son of Mayadebi, and so by relation he was the second uncle of Narrator.
·         Grandmother of Narrator (Tha'mma) – She is the headmistress of girls school in Calcutta. She is very strict, disciplined, hardworking, mentally strong and patient lady.
·         Ila – She is the cousin of narrator. She lives in Stockwell, London. She is very good looking.
·         May – She is the daughter of Prices family.
·         Nick – He is a good looking blonde having long hair and wants to become a Chartered Accountant.In the course of the novel he marries Ila.

II. Post Modern Literature
4. Vonnegut, Kurt:      -Breakfast of Champions:
Breakfast of Champions, or Goodbye Blue Monday is a 1973 novel by the American author Kurt Vonnegut. Set in the fictional town of Midland City, it is the story of "two lonesome, skinny, fairly old white men on a planet which was dying fast." One of these men, Dwayne Hoover, is a normal-looking but deeply deranged Pontiac dealer and Burger Cheffranchise owner who becomes obsessed with the writings of the other man, Kilgore Trout, taking them for literal truth. Trout, a largely unknownpulp science fiction writer who has appeared in several other Vonnegut novels, looks like a crazy old man but is in fact relatively sane. As the novel opens, Trout journeys toward Midland City to appear at a convention where he is destined to meet Dwayne Hoover and unwittingly inspire him to run amok.

Characters:
Abe Cohen
The jeweler in the cocktail lounge of the new Holiday Inn. When he sees Mary Alice Miller walk through, he despises her "sexlessness and innocence and empty mind" and says, "Pure tuna fish!"
Andy Lieber
The driver of the Ford Galaxie in which Kilgore Trout hitchhikes. He is a thirty-two year old, white, overweight traveling salesman, "obviously a happy man" and a crazy driver. He has averaged twenty-two orgasms per month over the past year, "far above the national average."
Bill
Bill is Kilgore Trout's parakeet. Trout thinks that Bill will die a few moments before he does, and confides in Bill that humanity deserves to die horribly.
In Chapter 3, there is an important interaction between Trout and Bill, in which Trout opens the parakeet's cage so Bill can fly to the window. Bill puts his shoulder against the glass, but when Trout opens the window, Bill is scared and flies back into his cage.
Beatrice Keedsler
The Gothic novelist who attends the arts festival in Midland City. In Chapter 18, she is introduced as she enters the new Holiday Inn cocktail lounge with Rabo Karabekian. She grew up in Midland City, and says she was "petrified of coming home after all these years."
Bonnie MacMahon
The white cocktail waitress who serves Dwayne Hoover at the new Holiday Inn cocktail lounge. They are longtime acquaintances, and they have bought nine Pontiacs from him over the past sixteen years. Bonnie makes the same joke every time she serves a customer a martini: "Breakfast of Champions." She wears "octagonal, rimless trifocals," and is "a horse-faced woman forty-two years old."
Her two goals in life are to earn back all the money her husband lost by investing in a car wash, and to get steel-belted radial tires for the front wheels of her car.
Bunny Hoover
Dwayne Hoover's homosexual son, who plays the piano in the cocktail lounge of the new Holiday Inn. His real name is George. He only eats raw fruits and vegetables, avoids the sunshine, and has no "friends or lovers or pets." He lives on Skid Row, and his window looks out to the old Opera House. He practices Transcendental Meditation, which he learned from Maharishi Mahesh Yogi. It allows him to remove himself mentally while he is playing the piano. When he told his father he wished he were a woman, he was sent away to military school when he was only 10 years old. There he had "eight years of uninterrupted sports, buggery and Fascism."
Celia Hoover
Dwayne's wife, who has committed suicide by eating Drano. The description of her death uses the theme of humans as machines: "Celia became a small volcano, since she was composed of the same sorts of substances which commonly clogged drains."
She is likened to the narrator's mother in Chapter 16, because both are "crazy as a bedbug," "beautiful in exotic ways," and both committed suicide. Also, neither woman could stand to have her picture taken.
Cyprian Ukwende
The black intern at the County Hospital. He earned a medical degree at Harvard and has been in Midland City for a week. He is an Indaro, a Nigerian, an identity trait that is emphasized each time he is mentioned in the story. He is pointedly different from American blacks, since his relatives were not slaves and he feels "kinship only with Indaros."
We are first introduced to him in Chapter 6, because he is the only person with Mary Young while she dies. He is staying in the new Holiday Inn, owned in part by Dwayne Hoover, until he can find a cheap apartment in which to live. He also needs a woman, because he is "so full of lust and jism all the time." In Chapter 11 we learn that though he appears impassive, "behind his mask was a young man in the terminal stages of nostalgia and lover's nuts."
Delmore Skag
A character in one of Trout's novels. He is a scientist who discovers a way to reproduce himself by mixing cells from his right hand with chicken soup. He hoped to "force his country into making laws against excessively large families," but instead, after he fathers hundreds and hundreds of children, America passes laws against "possession by unmarried persons of chicken soup."
Don Breedlove
A gas-conversion unit installer, and the only person whom Dwayne hurt who deserved it, according to the narrator. He raped Patty Keene in the parking lot of George Hickman Bannister Memorial Fieldhouse.
Dwayne once sold him a Pontiac Ventura, and had made adjustments and replaced parts because it wouldn't run right. But Breedlove had painted, "This Car is a Lemon" all over the car. It turned out a neighborhood kid had poured maple syrup in its gas tank.
He had been repairing a defective gas oven in the kitchen of the new Holiday Inn during Dwayne's rampage. Dwayne offers Breedlove his hand, and they shake; while Breedlove is led to believe Dwayne is making a motion of friendship, Dwayne boxes him in the ear, causing him to go deaf.
Don Miller
Mary Alice Miller's father, who taught her to swim when she was eight months old and forced her to swim for at least four hours every day since the age of three. At the time Dwayne Hoover bursts outside after attacking three people in the new Holiday Inn cocktail lounge, Don Miller is lying in his car with the seat back flat, learning French on audio tape.
Dwayne Hoover
A "fabulously well-to-do" Pontiac dealer, Hoover is also a "novice lunatic." A combination of drug abuse and powerful ideas has brought him to the brink of madness. He reads Trout's science-fiction and interprets it literally, believing that everyone else in the world is a robot.
Dwayne was adopted, and his birth parents are described as machines in Chapter 3: "Dwayne's real mother was a spinster school teacher who wrote sentimental poetry and claimed to be descended from Richard the Lion-Hearted, who was a king. His real father was an itinerant typesetter... She was defective child-bearing machine. She destroyed herself automatically while giving birth to Dwayne. The printer disappeared. He was a disappearing machine." It is important to note that both Dwayne's birth mother and his adoptive mother are described as destroying themselves, one in childbirth and the other with pills. The speaker's mother killed herself, as well.
We find out in Chapter 13 that he was adopted by people who thought they couldn't have children, but who later did give birth to the twins Lyle and Kyle.
Eddie Key
The driver of The Martha Simmons Memorial Mobile Disaster Unit when it picks up Dwayne Hoover and his victims. He is a young, black, direct descendant of Francis Scott Key, and knows all about his personal ancestry as he was the chosen member of his generation to memorize the family history.
He can be seen as representing the history of America as it interacts with the future, including all races since his ancestors are white, black, and "Indians." As he drives the emergency vehicle, he has "the feeling that he himself was a vehicle, and that his eyes were windshields through which his progenitors could look, if they wished to." In case Francis Scott Key is looking through at what has become of America, Eddie focuses his eyes on the American flag stuck to the windshield and murmurs, "Still wavin', man."
Eldon Robbins
A black male dishwasher at the new Holiday Inn cocktail lounge. He recognizes Wayne Hoobler outside near the trashcans, because he too has spent time in the Adult Correctional Institution. He brings Wayne inside, gives him a meal, and shows him the peephole through which the black dishwashers watch the white customers in the cocktail lounge.
Eliot Rosewater
The eccentric millionaire who spent $18,000 tracking down Trout so he can send him a fan letter. He leverages his El Greco painting in an agreement with Fred T. Barry, to ensure that Trout will be invited to the arts festival.
He accidentally killed his mother in a boating accident when he was young. The narrator tells us, "I made Rosewater an alcoholic in another book," but now he is sobered up thanks to Alcoholics Anonymous. He has been having orgies with strangers in New York City.
Francine Pefko
Dwayne's secretary and mistress. She is described in Chapter 13 as "a war widow with lips like sofa pillows and bright red hair," and in Chapter 15 as a "generous, voluptuous woman." She is in love with Dwayne, and tells him so in Chapter 15 even though they have made a pact not to speak about love.
Her husband, Robert Pefko, died in Viet Nam. She had followed him to Midland City, where he worked on the manufacture of a new "booby trap" to be used in the military.
Fred T. Barry
The chairman of the arts festival in Midland City, who sends the invitation to Kilgore Trout. The two men are exactly the same age. As Fred T. Barry grew older and happier, he came to resemble "an ecstatic old Chinaman" more and more. He even starts dressing like a Chinaman.
Gloria Browning
The white cashier in the Service Department, who covers "The Nerve Center" (Francine Pefko's desk) while Francine escapes to have sex with Dwayne Hoover. She is twenty-five and has just had a hysterectomy after a botched abortion. The father of the "destroyed fetus" was Don Breedlove, the same man who had raped Patty Keene.
Harold Newcomb Wilbur
The bartender in the new Holiday Inn cocktail lounge. He is the second most decorated veteran in Midland City. When he stares at the narrator, the narrator decides to have him receive a phone call from Ned Lingamon in prison.
Harry LeSabre
Dwayne's sales manager at the Pontiac agency. He is the first person to notice Dwayne's strange behavior. He is also a closeted transvestite, and worries that Dwayne knows his secret because of implications he invents in Dwayne's meaningless rants.
He is well-to-do because he invested wisely in the stock market, specifically in Xerox. He and his wife Grace move to Maui after he erroneously worries that he will be fired for being discovered as a transvestite.
Kazak
The Doberman pinscher that attacks the narrator in the Epilogue. He has been taught that "the Creator of the Universe wanted him to kill anything he could catch, and eat it, too." Ironically, he ends up attacking the Creator of the Universe, the narrator, as he loiters in front of the fence behind which the dog is kept.
Khashdrahr Miasma
Cyprian Ukwende's Bengali assistant, who is unhelpful on Martha. He refuses to find shears to cut off Dwayne Hoover's shoes, which are coated in plastic from Sugar Creek. He cannot tolerate criticism, and he has just been criticized for amputating a black man's foot when the foot probably could have been saved.
Kilgore Trout
Trout is a science-fiction writer, a "nobody" who owns "doodley-squat." He feels as if he has no impact on the world, and is introduced in Chapter 1 as supposing, or hoping, he is dead. He works as an installer of aluminum combination storm windows and screens, and at first nobody knows he is a writer. He is described in Chapter 2 as having no charm.
He will win the Nobel Prize for Medicine in 1979.
Trout has been married three times, as we find out in his Chapter 12 conversation with the Pyramid truck driver. Each of his wifes had been "extraordinarily patient and loving and beautiful. Each had been shriveled by his pessimism." He also has only one son, who left home at the age of 14, and from whom Trout has never heard again. Trout does know that he deserted in Viet Nam and joined the Viet Cong.
The narrator tells us that, "Trout was the only character I ever created who had enough imagination to suspect that he might be the creation of another human being."
Lottie Davis
Dwayne's black servant. She was descended from slaves. She and Dwayne like each other, but they don't talk much.
Lyle and Kyle Hoover
Dwayne Hoover's younger stepbrothers who own Sacred Miracle Cave. They live in identical yellow ranch houses on either side of the gift shop. The only difference in their appearances is that Lyle had his nose broken at the Roller Derby in 1954.
They are exceedingly worried about the fate of the Sacred Miracle Cave, since stinky bubbles the size of ping-pong balls have been floating up from the polluted stream that runs through it.
Mary Alice Miller
The fifteen-year-old Women's Two Hundred Meter Breast Stroke Champion of the World. She is the only internationally famous person in Midland City, and is the Queen of the Festival of the Arts. Her father taught her to swim when she was eight months old, and made her swim at least four hours every day since she was three. When Bonnie MacMahon tells Robo Karabekian Mary Alice's story, he insults her and causes the spiritual climax of the book.
Her eyes are permanently inflamed, and her father, Don Miller, is Chairman of the Parole Board at Shepherdstown.
The manager
The manager of the pornographic movie house in Chapters 7 and 8 is also the ticket-taker, bouncer, and janitor. He is attacked by what comes to be known as The Pluto Gang along with Kilgore Trout on Forty-second Street. He says "God bless you" when Trout happens to sneeze, and they form a temporary friendship that lasts until they are attacked. He has a wife and two kids who don't know that he runs a pornographic theater. He was in on the development of "a miraculous insulating material," which is the same material of which Dwayne Hoover's house is made.
Mary Young
The oldest inhabitant of Midland City, who is dying in the County Hospital in Chapter 6. Her parents had been slaves in Kentucky. She is black, and she used to do the laundry for Dwayne's family. The only person with her while she dies is Cyprian Ukwende.
Milo Maritimo
The beautiful young desk clerk at the new Holiday Inn, and also the homosexual grandson of Guillermo "Little Willie" Maritimo, a "bodyguard of the notorious Chicago gangster, Al Capone. He is also the nephew of the partners in the Maritimo Brothers Construction Company, which is polluting Sugar Creek.
He has read all of Kilgore Trout's work, which he borrowed from the personal library of Eliot Rosewater, and gives Trout a surprisingly welcome greeting upon his arrival to the hotel.
The Narrator
The narrator inserts himself into the story. He discusses how he invented each of the characters, and how he is constantly deciding what happens to them.
He suspects that he has schizophrenia, although he is not certain. What he does know is that, "I was making myself hideously uncomfortable by not narrowing my attention to details of life which were immediately important, and by refusing to believe what my neighbors believed." This vague description is perhaps provided by Vonnegut in order to point to the more obvious symptom the narrator exhibits: interacting with characters in a fictional universe.
Ned Lingamon
The most decorated veteran in Midland City. He calls Harold Newcomb Wilbur from prison, where he is because he killed his own baby. His dead baby's name was Cynthia Anne, and he killed her because she wouldn't stop crying.
Newbolt Simmons
A County Commissioner of Public Safety, after whose wife the Martha Simmons Memorial Mobile Disaster Unit is named. His wife died of rabies after being bitten by a bat she was trying to save. He and Dwayne were "drawn together for a while," because their wifes had died strange deaths within a month of each other. Their friendship petered out, but they still exchange Christmas cards.
Patty Keene
Dwayne's waitress at the Burger Chef in Chapter 15, who believes she can convince Dwayne to help her financially. She is a seventeen-year-old white girl, with blond hair and blue eyes, working to pay off the hospital bills accrued by her father as he died of colon cancer.
She was raped by Don Breedlove, but never reported it to the police because she was preoccupied with her father's illness at the time.
Phoebe Hurty
In the Preface, Vonnegut dedicates Breakfast of Champions to Phoebe Hurty. She is impolite in a graceful way, a quality which Vonnegut says he tries to imitate. She represents the belief in a new American paradise that would come with prosperity after the Great Depression.
The Pyramid truck driver
The driver of the Pyramid truck that picks up Trout at the mouth of the Lincoln tunnel. His interactions with Trout point to themes of the story, such as his opinion about the destruction of the planet. His brother works in a factory making chemicals for killing plants and trees in Viet Nam. The driver points out that "the only kind of job an American can get these days is committing suicide in some way," meaning that most jobs destroy the planet, and consequently humankind.
Rabo Karabekian
The minimal painter who attends the arts festival in Midland City. His painting, entitledThe Temptation of Saint Anthony, was the first purchase for the permanent collection of the Mildred Barry Memorial Center for the Arts, and cost $50,000.
He is, in the narrator's opinion, "a vain and weak and trashy man." This is perhaps because his opinion that all living things are beams of light, expressed in his painting, is so contrary to the narrator's conviction that humans are machines.
Sparky
Sparky is Dwayne Hoover's Labrador retriever. Because of a car accident in the past, he cannot wag his tail. Unfortunately, this means other dogs don't know how friendly he is, and he has to fight all the time.
Vernon Garr
A white mechanic at Dwayne's Pontiac agency. His wife, Mary, is a schizophrenic who believes that Vernon is trying to turn her brains into plutonium. Dwayne's previously philanthropic nature is exemplified in a conversation he had with Vernon, in which he shows concern for Vernon's wife's health.
Wayne Hoobler
Wayne Hoobler is introduced in Chapter 11. He has just been paroled from the Adult Correctional Institution at Shepherdstown, and feels as though he's free for the first time in his life, since he has always been kept in "orphanages and youth shelters and prisons of one sort or another." He believes that the planet is terrible, and feels like he doesn't belong on it since he has no friends or relatives, and is always being put in cages.
He comes looking for Dwayne Hoover because he has seen advertisements for the Pontiac dealership and he wants to work there. His idea of an ideal world is called Fairyland, a place he sees in his dreams. The speaker points out how childish the name is. He believes that working for Dwayne will help him achieve that Fairyland.
He misses prison, since now that he is free he doesn't know what to do with himself. This is similar to what happened to Bill, Trout's bird, when he freed it from its cage and it decided to hop back inside because it was afraid of what was beyond the window. This connection builds upon the theme of race, with black people being viewed as animals thanks to the society in which they have been brought up.
Wayne also has excellent, white teeth, thanks to the superb dental program available to prisoners at the Adult Correctional Institution at Shepherdstown.

5. Kundera, Milan       -The unbearable Lightness of Being:
The Unbearable Lightness of Being (Czech: Nesnesitelná lehkost bytí) is a 1984 existential novel by Milan Kundera, about two men, two women, a dog and their lives in the Prague Spring period of Czechoslovakhistory in 1968. Although written in 1982, the novel was not published until two years later, in a French translation (as L'Insoutenable légèreté de l'être). The original Czech text was published the following year.

Characters:
Tomas -  The chief protagonist of the novel, a brilliant Prague surgeon and intellectual. Having divorced early and lost contact with his ex-wife and son, Tomas is a light-hearted womanizer who lives for his work as a ctor. After falling in love with and marrying the emotionally needy Tereza, Tomas finds himself trapped between the womanizing he cannot give up, and his genuine love for his new wife. In a politically charged time, Tomas is an independent thinker and hence objectionable to the Communist government, but personally he would identify himself as apolitical. In many ways, especially sexually, Tomas is "light," a libertine.

Tereza -  Tomas's young wife. Tereza grew up in a small Czech town, brought up in the vulgar and invasive presence of her mother. Seeking escape from that small world, Tereza worships books, culture, and kindness. Identifying Tomas as a kindred spirit and outsider, she falls in love instantly and permanently. In Prague, Tomas's womanizing drives Tereza to the brink of insanity. Although she attempts to understand her husband and his lifestyle and cannot argue with him logically, Tereza is unable to be "light" about her love or sexuality. She finds some fulfillment in her work as photographer, especially during the Soviet tank occupation; she does dangerous and politically dissident work as a photojournalist.

Sabina -  Tomas's favorite mistress and closest friend. A talented painter. Sabina betrays, successively, her father's home, her art school, her lovers, and ultimately her country. Sabina is as beautiful and original as her artwork; early in life, she identified ki tsch, or bad, sentimental, insistently sunny propaganda art, and lives her life as an attack on kitsch. She cares deeply for both Tomas and Tereza, even if she cannot understand why Tomas would trade his freedom for domesticity. Ultimately her desire for freedom leads Sabina to leave her love, Franz, and lose all contact with her past. Sabina is the "lightest" character in the novel.

Franz -  A Geneva professor and idealist. Sabina's lover. Franz falls in love with Sabina, whom he (erroneously) considers a liberal and romantically tragic Czech dissident. Sabina considers both of those identities kitsch. He is tortured by the fact that he must betray his wife in order to see Sabina. Ultimately he leaves his wife in what to him is an act of courage, but to Sabina seems an unhappy and sentimental choice. Franz identifies strongly with the European liberal left, loves parades and marches, and idol izes his dead mother. Abandoned by Sabina, he finds solace in the arms of a perfectly ordinary young student who loves him.

Simon  -  Tomas's son by his first wife. Simon is a dreamer and always idealized his father, who did not wish to know him. After the Prague Spring, a time of increased political and artistic freedom, Simon joins a dissident group and regains contact with Tomas in a failed attempt to win approval. Simon later turns to Christianity, and organizes the funeral of Tomas and Tereza after their deaths.

Tereza's mother  -  Tereza'a mother was considered an incredible beauty in her youth. Doomed to a frustrating marriage by her pregnancy with Tereza, and then consigned to continual disappointments in her romantic life, Tereza's mother renounces youth and beauty for a harsh, shameless vulgarity Tereza cannot stand. Tereza's relationship with her mother borders on hatred.

Marie-Claude  -  Franz's wife. A Geneva socialite. A vulgar and pretentious woman, she forced Franz to marry her by threatening suicide. She calmly allows Franz to move out but does not grant him a divorce, and after his death reclaims his body.

Young student  -  Franz's mistress after Sabina leaves him. The student loves Franz simply and naturally, and with her he finds true happiness. She is never able to marry Franz or claim any rights after his death.

Tall engineer -  The stranger with whom Tereza has an affair. A mysterious character, he saves Tereza from a difficult situation early on, seduces her, then vanishes. Some friends warn her he may have been a police agent gathering potential blackmail material.

Chief surgeon -  Tomas's boss. Important in that he tries to save Tomas's career by encouraging him to sign a denouncement of the article Tomas wrote in which he criticized the Czech Communists. The chief surgeon respects Tomas deeply for his decision not to sign the denouncement, but does not think to resign along with Tomas.

Editor with a big chin -  Political dissident and journalist in some way involved with Tomas's original paper criticizing the Czech Communists. This editor is also a friend of Tomas's son, Simon. Simon and the editor with the big chin attempt to convince Tomas to join the ranks of dissidents, and, like the police, want him to sign something.


6. Marquez,                 - Strange Pilgrims:MRU
Strange Pilgrims (original Spanish-language title: Doce cuentos peregrinos)is a collection of twelve loosely-related short stories by the Nobel Prize winningColombian writer Gabriel García Márquez.
Not published until 1992, the stories that make up this collection were originally written during the seventies and eighties. Each of the stories touches on the theme of dislocation, and the strangeness of life in a foreign land, although quite what "foreign" means is one of Mr. García Márquez's central questions in this book. Mr. García Márquez himself spent some years as a virtual exile from his native Colombia.
Stories:
1.     Bon Voyage, Mr President (Buen Viaje, Señor Presidente)
2.     The Saint (La Santa)
3.     Sleeping Beauty and the Airplane (El Avión de la Bella Durmiente)
4.     I Sell My Dreams (Me Alquilo para Soñar)
5.     "I Only Came to Use the Phone" (Solo Vine a Hablar por Teléfono)
6.     The Ghosts of August (Espantos de Agosto)
7.     María dos Prazeres
8.     Seventeen Poisoned Englishmen (Diecisiete Ingleses Envenenados)
9.     Tramontana
10. Miss Forbes's Summer of Happiness (El Verano Feliz de la Señora Forbes)
11. Light is Like Water (La Luz es como el Agua)
12. The Trail of Your Blood in the Snow (El Rastro de tu Sangre en la Nieve)